To view many of Carter's cartoons and for information
about his book, visit his Web site, http://www.cartertoons.com/
Cartoonist picked up a pen at an early
age
Jon Carter started out like many artists. He doodled in
school.
As a boy, his late grandfather, Bruce Carter of Boston,
Mass., was an influence.
"I would visit him several times a year. He had a little
woodshop. He was a fix-it guy and he had a little craft shop.
He made kits of toys, he did magic shows for kids and of
course he had drawings he had done," Jon Carter recalls. "It
was the entertainment aspect of making people happy that I
liked."
He noticed that he enjoyed drawing and other people
encouraged him to draw.
He moved to Hagerstown as a teenager. After graduating from
Hagerstown High School in 1989, he and a friend, Vince Nirich,
took some drawings to the local newspaper, the Hagerstown
Exponent, which started publishing the cartoons.
And Carter started working at Welliver's Smorgasbord. He
continued working there until 1996.
"I started out doing dishes and then was a cook," he said.
"It was hard work but it was fun, like a family. I drew
everywhere, drew portraits of the people who worked there.
Sometimes I still get calls after someone finds something I
drew."
He left his mark on an outside wall at Welliver's. On part
of the building that faces an alley, he painted a large mural
of the restaurant's founder, Guy Welliver, and other staff.
It's the largest cartoon he's made.
He moved to Richmond in 1995 and was a student at Indiana
University East. Seven years ago, he had a one-man show in the
college's Whitewater Hall. "I'd like to do that again
sometime."
Although his style has stayed generally the same over the
years, it has evolved. "You pick up little things over the
years."
His humor is compared to Gary Larson, who drew the offbeat
panel, "The Far Side." His characters have wacky expressions
and feet that seem to have hinges.
He earned a bachelor's degree in general studies from IU
East. It was there that he learned more about using computers.
He credits an IU East teacher, Tom Thomas, with teaching him
about the intellectual, conceptual side of art and its
business possibilities.
Self-publishing technology makes book
possible
It's hard for Jon Carter to imagine a day when he wouldn't
draw cartoons on paper in India ink - but 21st-Century
technology is what has allowed him to self-publish his first
book.
Having 14 years of cartoon panels to draw from, Carter
found that putting together the book was not a lot of hard
work. It was a matter of choosing which panels to publish and
then laying out the book. He sent the book off to a publisher,
who printed it, and Carter has to pay for the books when he
wants them.
His initial investment was a $300 set-up charge. He pays
about $4 per book when he orders more.
But the technology Carter used to publish the book ranges
from old-fashioned ink drawing to digitized imagery. Funny
Files cartoons start as pen-and-ink drawings. He draws in a
studio room in his Richmond home.
"I've experimented with different media but I like India
ink," he said. "You dip it and draw. There's just something
about the line weights and the rich black. I'm just very into
the actual material piece."
When the drawing is done, he uses a scanner to get it into
a computer. On the computer screen, using Photoshop software,
he adds details such as halftone shading, and then cleans it
up and stores it. Many of the cartoons are on his Web site and
can be viewed in either color or as black and white line
drawings.
When someone wants a cartoon, he can send it out by e-mail.
For the book, all he had to do was lay out the cartoon
panels, two on a page. There are 104 pages of cartoons in his
book.
"I saved them on a disk and sent them to the publisher that
way," he said.
"Maybe the hardest thing was coming up with a cover,"
Carter said. "When I came up with the idea, it just hit me,
and once I had the idea, it was just easy."
Carter's cover is a full-color cartoon of several of his
characters spilling out of a funny file cabinet drawer.
When Carter decided to get serious about publishing a book,
he found many companies willing to print his book. He did some
research and found a publisher he liked.
"This publisher, Page Free Publishing, can do everything,"
he said. "They were recommended by a friend and I thought they
had a pretty good deal. Then I shopped around to make sure it
was everything I wanted."
The more services provided by a publisher, the more
investment is required. Carter saved money by laying out the
pages himself and shipping them to the publisher on a computer
disk.
Self publishing, Carter said, has been such an easy process
that he'd recommend it to just about anyone.
"Even for someone that just wants a small run of 100 or so,
like a small family geneaology, this is affordable and easy to
do," Carter said.